Category: Work
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Analogue Structures
The cycle “Paper and Scissors” (see Jacques Derrida) originated in the procedure of the collaged construction and deconstruction of my own works. From it, in a different technique (oil on canvas), the “Analogue Structures” developed in which, by a reduction of linguistic communication (letters and words), a pictorial minimalism of form was emphasised: poverty, simplification,…
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Air Show
In the larger size “Air Show” works I make use of a gestural manner of painting, one long subdued: many character elements of the picture are covered in paint, the density of material prevails as well as the collisional character of the aerial vortices. (2023; from manuscript) The “Air Show” cycle is exuberant, dynamic, adrenaline…
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Air Show (small)
At some point, the more concentrated eye will observe in the collaged entanglement (apart from the playful acrobatics, the flypasts and loops, the climbs, dives and so on), on the bodies of the planes, their fuselages, wings or tails, as well as in the relatively compact backgrounds (of earth and sky), traces of my biography,…
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Linguo-analytical and Visual-analytical Procedures
A characteristic phenomenon of the 1960s and 1970s in the art of Europe, the world and of this country is painting’s exploration of its own language: at the centre of attention is technique and the ways and means of producing a work. I am focused on the whole on square forms and grainy, seminal forms:…