In childhood, learning letters, by the method of identification, we correlated name words and images of objects, making use of tautological procedures.

Among the tautological paintings I have done over the years, I differentiate those that are patent (“blackness”) and those that are less obvious (“360 g/m2”), where for example it is necessary to recognise what kind of weight is concerned, and of what.

With painting tautologies, I guide the viewer to see contents in the work the that I have suggested.

(2023; from manuscript)